Ryo Asuka is and always has been a piece of shit, pls fight me
Finished marathoning Devilman Crybaby. I’ve been a massive fan of Devilman since I was maybe 12 and first stumbled on the OVA VHS at a Blockbuster because I’m also old. Devilman has been tied for my favorite Japanese property with Evangelion pretty much since then. I remember trading at my anime club for fansubbed bootlegs of the Devilman Lady anime (which was mainly a disappointment with the exception of queer ladies and a badass OP).
I have a ton of thoughts about Crybaby but mostly I’m so confused by the Ryo/Akira shipping.
Like, I wish that of the three Confirmed Queers, two of them weren’t pieces of crap (Ryo and Super Highschooler - Miko is a confused young lady). But there is no way of getting around the fact that Ryo Asuka has been Official Canon Trash since 1972.
He is not a good boyfriend. He is the definition of a manipulative, abusive partner! Just because he gives Warm Hugs in his fabulous furry coat doesn’t make him Gay of the Year.
Akira’s human heart is his most important trait but with that comes loving hard and loving blindly, which easily let him fall for Ryo’s shit time after time until it’s too late for the real Perfect Significant Other, which is of course Miki Makimura, Angel Who Is Too Pure For This World Except For In Devilman Grimoire Where She Is A Literal Witch And So Fucking Cool Can That Please Be Adapted Next Thank You.
Hi! Are you ready for a special ACC Episode? I bet you are.
Today we talk about Comics that heal. We are also asking that you talk to us about specific comic that helped you get through hard times. Please, share this with us! That would be so amazing.
The show that inspired this show: All Songs Considered This episode is STRONGLY recommended.
I’m working on an article about one of my favorite things in the world: giant robots. I love mecha anime, manga and games, so writing about it is a real pleasure. As I was trying to describe how much I love the ludicrous escalation of giant robot anime to a friend who doesn’t watch a lot of anime, I gave him a quick run down:
Tetsujin-28: WHAT IF A ROBOT WAS GIANT & LOOKED KINDA LIKE A GUY
Mazinger Z: WHAT IF WE PUT A GUY *IN* THE ROBOT THAT KINDA LOOKS LIKE A GUY
Getter Robo: WHAT IF WE PUT BUNCH OF GUYS IN GIANT ROBOTS THEN SHOVED ALL THE ROBOTS TOGETHER TO MAKE A *REALLY* GIANT ROBOT
Mobile Suite Gundam: WHAT IF THE GIANT ROBOTS WERE ALSO SOLDIERS
Super Dimensional Fortress Macross: WHAT IF THE GIANT ROBOT SOLDIERS TURNED INTO PLANES
ALSO WHAT IF THERE WAS A SHIP AS BIG AS THE MOON THAT ALSO TURNED INTO A ROBOT
Neon Genesis Evangelion: fuck all of that what if the giant robots were actually just guys
and also a metaphor for the womb
and also maybe god
Less iconic series:
Code Geass: What if the robot– WHAT ARE YOU DOING IN THE STUDIO, CLAMP? GET AWAY FROM THE CHARACTER DESIGNS NOOOOOoooo
Big O: WHAT IF THE GUY WAS BATMAN, ALSO THE ROBOT
Tengen Toppen Gurren Lagann: WHAT IF THE ROBOTS TURNED INTO DRILLS AND *loud explosion followed by the song ‘Spanish Fly’ playing for 780 hours straight*
G Gundam: WHAT IF THE MECHA WEREN’T SOLDIERS & BEAT EACH OTHER UP & EVERYONE IS HOTBLOODED
“sir that’s already existed since literally 1972”
Chapters: 9/? Fandom: Marvel Cinematic Universe, Captain America (Movies), The Avengers (Marvel Movies), Thor (Movies) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: James “Bucky” Barnes & Steve Rogers, James “Bucky” Barnes/Steve Rogers Characters: Steve Rogers, James “Bucky” Barnes, Loki (Marvel), Original Character, Sam Wilson (Marvel), Natasha Romanov Additional Tags: Adoption, Recovery, Post-Traumatic Stress Disorder - PTSD, Service Dogs, Domestic, Children, Asgard (Marvel), Slow Burn Summary:
Bucky and Steve are (barely) living together; Steve is getting tired trying to help Bucky and Bucky is trying to…well, Steve’s not really sure, though the puppy does seem to help.
Then they find the 11 year old girl. Or maybe the girl finds them.
Alternatively: Loki’s last scheme has had an unintended victim and he’s the last damned person to let a child be abandoned.
Anger is a powerful tool when discussing issues of inequality, racism and misogyny. The people who have to deal with these problems every day of their lives have every right to be furious and every right to vent that fury, to articulate their anger at injustice. Personally I’ve read amazing pieces by women of color that have, in their fury, illustrated issues, injustices and crimes in a way that I might not have otherwise been able to really grasp as a white person.
Anger is also a controversial tool. Recently, a friend of mine on Facebook posted an article called “Shit White Feminists Need to Stop Doing” that was angry and abrasive but also educational and very accurate. The comment thread on his wall in response to the article was a painfully ironic fulfilment of almost everything the article was railing against: a thread of #NotAllWhiteFeminists that was infuriating and embarrassing to read. Most of the whitesplaining and debate on the thread wasn’t about the content of the article, it was “tone argument” almost all the way through. The author’s angry delivery of these very true points were what people focused on instead of the points themselves, which certainly wasn’t the fault of the writer, but the fault of the readers.
For me, anger is an exhausting tool. I currently work in a sector rife with institutionalized misogyny. I’m a victim of the wage gap and it’s by a lot more than 70 cents. Every week brings another instance of being talked over or not being held to the same standards as my predominately male peers. I can’t keep being angry about these issues every day, though, because I’ll exhaust myself. For me, it’s easier to be apathetic while attempting to better my situation than it is to stay angry.
One of the reasons I write and discuss representation and equality in pop culture (comics, games, TV, movies) so constantly and so passionately is because it’s one of the few areas where I feel like we’re making a noticeable difference. Where we can *see* the change. When I opened Marvel Puzzle Quest a few weeks ago and the loading screen was filled with only badass female superheroes, I nearly cried. I remembered being a little girl who couldn’t find a single female X-men action figure and having to pretend Shatterstar was a girl because he had long hair.
And yeah, that’s still a huge problem, as evidenced by the missing Black Widow toys, but my god, the free to play mobile phone game had a loading screen filled with only women for nearly a month! That IS change and I need to see even that smallest evidence of improvement or else the apathy takes over in every aspect of life.
Back to anger.
I rarely use anger in my writing or discussions because I’m also *bad* at being angry. Sitting at my computer infuriated, I have a much harder time clearly articulating my thoughts, I mash the keyboard without skill and I swear constantly, which just makes me sound immature. In person when I get angry, I can feel myself becoming my father. My jaw seizes up and I go silent, I look away from the situation and I desperately struggle not to lash out. Anger issues run rather explosively in my family, which is at least something I’m cognizant of, but anger certainly doesn’t make me more articulate or elegant in my arguments as it does with writers I greatly admire.
As much as I joke about the “Not All Men” defense (and I do, a lot), I actually try really hard not to over generalize when I write about misogyny. I strive for an educational and sympathetic tone to my writing and conversations, I try to make people (and really, I think when I say people, I really mean ‘straight white men’) understand the issues.
I’m reminded of a conversation I had on Reddit not long ago - a male fan was in a comic book club and obliquely used the phrase 'strong female character.’ He wrote about having no idea why the women in the group got offended at the term and that he was yelled at for using it, but never understood why.
Obviously I understood not only exactly what the problem in using that phrase was, but also why the women in the group got angry and I got a little angry, too. I thought, “How oblivious can you be?” But reading this guy’s post, he really seemed to honestly have no idea what the problem was. So I explained it to him. I set my anger and exasperation aside and spelled the issue out clearly. The guy surprised me by being grateful for the explanation and talked about finally understanding why that’s a problematic phrase to use, what it represents and even agreed; but only once he was educated. Once he understood.
Though I don’t deny those women in his comic book club the right to their anger (and, in fact, I certainly shared in it), I can’t help but think how helpful it would have been had they used that fire to explain the problem to him instead of yelling at him for something he didn’t understand. I don’t think those women had an obligation to explain the problem to this guy. No woman (or person of color, or LGBTQI* folx) is obligated to educate the public. However, their anger without explanation alienated a person at the start of their journey of being an ally.
We all started somewhere. At a point far more recently than I’m comfortable with admitting, I was a walking example of internalized misogyny. I bought into the idea that there were 'fake geek girls’ who only wanted the attention. I remember being young and talking nearly proudly about how I only really had male friends and I 'just didn’t get along well’ with women. I’m grimacing while I’m writing this because it’s not only embarrassing to think about, it’s also horrifying to know how much I played into the problem.
I learned, though, because I was fortunate enough to become surrounded by intelligent, passionate, amazing women and thoughtful, vehement allies. I did take it upon myself to get educated (a constantly ongoing process) but my journey would never have begun if it hadn’t been for the people around me: their compassion and their intelligence.
So I guess what I’m saying is that the anger of marginalized people is incredibly powerful. It can be a sledgehammer or it can be a scalpel. Neither way is wrong.
While I am doubtful about my own ability to properly wield anger as a tool for expression and education, when YET ANOTHER asshole tells me to 'get over it,’ all I really want to do is scream in his face for five minutes. It’s worse because I feel like I can’t just *be angry* for the sake of being angry: I *have* to think of my anger as a tool, because I want to see change and I want to make change.
But some days I’m so tired of it that I just want to tell guys like that to get off their entitled asses and fuck off and die.
I guess this should probably have a .gif since, y’know, GiF Fighter. This is the first appropriate one that sprang to mind.
Some background: I’m a longtime fan of A Song of Ice and Fire. I think I read the book Game of Thrones in 2004 or 2005. I was incredibly excited for the HBO show and until recently, watched it religiously. I got my nerdy Mom to read the books and have been buying my folks the DVD box sets as soon as they were released. I’ve even written a pretty widely read piece about women and feminism in A Song of Ice and Fire.
Last night, I wrote something very quick and posted it to Facebook about Game of Thrones. Cross posting it here.
Trigger warning for discussion of sexual and physical abuse, though not graphically. Also, spoiler warnings for Season 5, Episode 6 of Game of Thrones.
In regards to “Unbent, Unbowed and Unbroken, ” I’ve see a lot of people saying “Didn’t you read the books? It happened there to a different character, and it was more graphic.”
Well, yes. It did, and it was. That doesn’t mean those upset about the episode shouldn’t be.
1. Some of us were pretty fucking uncomfortable with it in the books in the first place.
I’ve written pieces passionately defending the use of female characters in A Song of Ice and Fire and I still hated what happened to Jeyne Poole. She was traumatized, abused, raped, and all around damsel-fied as a device for Theon’s plot.
I love Theon’s plot. It’s one of my favorite character arcs. I think there could and should have been a catalyst that didn’t rely on what happened to Jeyne.
2. By replacing Jeyne with Sansa, the show has failed to adapt the plot to include Sansa’s character arc.
We were told, both by the build up of the show and the people making it, that Sansa is becoming a player. That she’s growing up and growing strong and moving pieces for her own devices.
That’s not what’s actually happened to her. She’s had the illusion of agency - Littlefinger manipulated her into it seeming like her choice to be at Winterfell, to marry Ramsey.
What happened isn’t the agency of a woman choosing to use herself to get what she wants and being conscious and at terms with that choice (e.g., Cersei, and I’m not even weighing in on the use of that particular female character trope). It was rape. At best, we might see it used as a thing to make Sansa “stronger” - i.e., “rape as empowerment.”
It’s worth noting that trope (as well as the “revenge-after-rape” trope) fell out of heavy use in fantasy fiction in the late 1980s.
We know in the books it was a different character, and while there’s no excusing Jeyne’s use as a plot device, she wasn’t a character we’ve watched grow for 5 years through manipulation, grief, trauma, abuse and grooming by a predator. We know Jeyne isn’t Sansa, because we’ve been scared for Sansa on screen for years, and we finally thought her Game of Thrones arc was going to the place where A Song of Ice and Fire’s women shine their brightest: gaining agency and strength to fight against a maliciously patriarchal system even while existing within it.
Yeah, we know Sansa Stark isn’t Jeyne Poole.
But Game of Thrones, the show itself, totally forgot.
So I was the last person on the internet to find out about this little op-ed by Jill Lepore. When Harvard professors are throwing shade on you from the rarified heights of the New Yorker, you have officially arrived in life, or at least in comics. So I was rather chuffed by this piece, though I do want to respond to some of the points raised, because they tie into some of the broader conversations we’ve been having lately in the comics community. I’d like to give a shout-out to Valkyrie Leia Calderon for drawing my attention to this piece–you can read her thoughtful and candid open letter to Dr. Lepore here.
If you are an avid comic book reader and/or follower of industry trends, none of what I’m about to say will be news to you. However, for those of you who are new to the medium, returning to the medium, or just interested in the continuing debate on the role of gender in pop culture, I hope what follows will be useful and help flesh out the conversation.
First off, a funny tidbit: Dr. Lepore and I have met, though she probably doesn’t remember, as I was a scrappy teenager with a fauxhawk at the time. Way back when I was an undergraduate, she gave a guest lecture on the French and Indian Wars in an American History colloquium I was taking at Boston University. She struck me as very intelligent and thoughtful, a passionate historian.
So I was a bit surprised that someone who obviously values rigorous scholarship would analyze the first issue of a crossover event without any apparent knowledge of what a crossover event is, or what the heavily tongue-in-cheek “feminist paradise,” Arcadia, represents in the context of the Secret Wars and the wider Marvel Universe. (Does she know about the zombies? Somebody please tell her about the zombies.) Thus decontextualized, what Dr. Lepore is left with is a cover depicting a bunch of characters about whom she admits to knowing nothing, and one fifth of a story, which is perhaps why her analysis reads as so perplexingly shallow, even snarky.
In 1938, Bucky Barnes comes home from a long day at the docks and looks down at a full sink. He directs a halfhearted glare in the direction of the small lump doodling something at the kitchen table. “Goddamnit, Steve. Dishes.”
In 2016, Steve Rogers rubs his face and drags himself into the kitchen before heading out to search the city — the cooling trail — again. He drops his plate into the sink. There’s already some other things in there. He’ll get to them later, probably. When he has time. It doesn’t really matter.
He turns to go.
The shadow behind the refrigerator shifts slightly, and the Winter Soldier hoarsely whispers, “I swear to God, Steve, there’s a fucking machine for it right there.”
*SHRIEKING*
the fanfiction we deserve AND the fanfiction we need
Agent Carter is renewed for a 2nd season! I’m pretty giddy, I was very concerned we might not get another rad season filled with my by-far favorite female character thus far in the MCU.
So now that we’re getting another season, what do we (okay, me) need and want to see?
More diversity and representation, which is a refrain I’m getting tired of needing to say over and over in regards to the MCU. This is a great post about possible themes that could (and should) be explored in Agent Carter.
And seriously, where are our queer relationships in the MCU?
Also, more of this lady:
She is terrifying. However, I want to see her feelings towards Peggy explained better and really unpacked - her lines to Peggy made me feel like there was some exploitation of female on female cattiness. I don’t mind if “Dottie” has internalized misogyny (since the show clearly doesn’t encourage it, contrasting it sharply with Angie and Peggy’s awesome, healthy relationship), but I want to know more about why.
Similarly, I want to know more about the birth of Hydra-SHIELD, more about Leviathan, and how the Red Room (/ Black Widow Program) and the Winter Solider all fit together. We know this stuff isn’t working as it did in 616, so I want the very fuzzy bits ironed out. Also, not going to lie, I wouldn’t mind a cameo from this guy:
I love the groundwork for the MCU that Agent Carter is laying, and I just want to see more of it.
Anything else I want to see? Is just more Peggy being goddamn amazing.
Age of Ultron’s “language” joke was pretty in character, calm down.
So I guess people are annoyed with the running gag in Age of Ultron where Captain America chides Iron Man for his “language.”
While it’s definitely true that Whedon doesn’t have nearly the handle on Cap’s character as others do (”There’s only one God, ma’am” made me wince so hard I think I broke a thing), the ‘language’ joke wasn’t THAT terrible at all.
Tony’s almost the only one Steve ever chides for the way he speaks and the things he says, and there’s a big reason for that: Tony is disrespectful.
Respect is a huge thing to Steve - he’s respectful of everybody. Soldiers, civilians, all genders, all races, etc. Steve spent a huge part of his life being disrespected (for being small and likely for other things the MCU doesn’t really deal with, like being the kid of an Irish immigrant and incredibly poor). Tony’s got no filter and no respect, and that obviously bugs the hell out of Steve, who has gotten better about the chiding as they’ve become friends, but, well ‘sometimes it just slips out.’
Tony should be reprimanded for some of the things he says, and I’m glad to see he’s gotten a BIT better (especially about being disrespectful towards women). But a lot of that improvement has been after, you guessed it, he started hanging out with Steve Rogers. (And of course, after Pepper Potts stopped being his assistant, and the Black Widow started dropping in.) But have you ever had a really offensive friend? It’s hard to stop rolling your eyes at them, even when you know they’ve gotten better.
Tony’s gotten better, but it’s hard (especially after watching him bulldoze Bruce Banner into doing BAD THINGS) not to consider his attitude that of a bully. And, man, you know what Captain America can’t stand?
Besides, there are much worse things in Age of Ultron to get upset by, so let’s talk about prima nocta and female sterilization.
It was my first time there ever and I was VERY excited.
There was so much to do, and see!
I was really lucky because I got to go with some really awesome friends who went out of their way to make sure I had an amazing time. One of them even surprised me with a Disney Princess character breakfast.
My family definitely couldn’t afford a trip to any Disney park when I was a kid but I grew up with a ton of other kids who got to go. I finally got to do one of the things I always dreamed of doing as a little girl, so that was pretty huge to me. My friends are wonderful.
Eventually, we had to leave.
And now I’m back at work (and very sore, and tired!).
But it was a vacation I’ll never forget, and absolutely magical.
But I’m not going to, because I’m waiting for the rest of allcomicsconsidered to finish it as well, so we can dedicate an entire episode to season one, which we will, and I think it’s going to be a great discussion. All I’ll say is that I want season two AT THIS MOMENT, IN MY EYEBALLS, and that it was not this: